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The documentary series from BAFTA award-winning filmmaker Adam Curtis has been widely welcomed by critics.Many praised the six-part series as "brilliant" and "terrifying", but others said it was "incoherent" and confused them.Can't Get You Out of My Head premiered on iPlayer last week.Curtis describes it as ďż˝The emotional history of the modern world,ďż˝ it creates increased anxiety in the Western, Chinese and Russian worlds.

'Search and ambition'

The film เล่นสล็อต series centers on the stories of historical political activists that are loosely connected, such as Michael X, Jiang Qing, and Afeni Shakur.As well as his previous efforts which included HyperNormalisation and Bitter Lake in 2016 from last year it used incorrect images and music to help explain the roots of modern conspiracy theories, legal and illegal drugs, and artificial intelligence.
These strange days were not just happening," said journalist and filmmaker Curtis. "We - and the authority - made them together.Lucy Mangan from The Guardian gave the series five stars, described as "dazzling" and "triumphant" - not just for Curtis.Whether you believe in it or not, based on a working assumption, it can't get you out of my head," she wrote.It is difficult to face a very dense work, extensive and ambitious search, and also respects the intelligence of the audience.

It is also difficult to watch a project where it is evident that a person is given complete creative freedom and control without the creeping feeling of self-indulgence.Sarah Carson of i paper also won the highest score, declaring the collection as both "Masterpiece" and "Awesome" at the same time.This expanded eight-hour documentary explores the urgent, exciting, and expansive detail what it means to power in post-war civilization," she wrote.What makes it so effective - so comprehensible and informative rather than just exciting - is the pivotal moment of history, its complex political ideologies, and a seamless mix of popular culture.James Walton, audiences praised the series. But felt it "Incoherent"Curtis has a lot of great stories to share here," he wrote.

Some of his connections are both compelling and persuasive, for example the 'one world' motive behind Live. Aid also led to the invasion of Iraq.But, he adds: "[Curtis] has such a wide range that you may struggle not only with the power, but also to the extent that you have it." But only follow the central argument But to find it too The Telegraph's Ed Power cast three stars, writing: "This may not have been his intention, but Curtis has connected the wildly hilarious ghost train ride to the addictive documentary, although it doesn't make sense. (Which is usually). But, he added: "For the melodious rhetoric and cracking pop music, the last question is, can't you get you out of my head, which presents a logical argument as to why things are so? This has never been successful. Curtis fell into a trap, only in railing with his old boring state.

'Worried and uncertain'

Speaking to BBC Radio 6 Music's Lauren Laverne on Thursday, music lover Curtis confirmed his goal was to "Try to explain why we have this weird, uncertain time where a lot of people are uncertain, worried, and don't have a picture of the future".One of the things that was important to me was that I examined what happened to the dream of the individualism - I think what it means to our time is what we feel as people as individuals. The best ďż˝65-year-old, which won the BAFTAs from previous works Pandora's Box 1993 and later Mayfair and Nightmare Power It's something where a lot of consumerism is organized, it's what all focus groups in politics hold.He added: "What I need answers to is why we are moving from the idea of confident, powerful people who will move around the world as self-confident beings to the" self-assured "beings. Millions of us are anxious and unsure, and I'm afraid.

At the same time, it is almost frozen without knowing what the alternative future will be.And if you're going to do that, you have to share as much history of what happened in people's heads as well as what's going on outside and what is the relationship between them: what happens?" when Ideas from power and politics come into our heads in a feeling driven age.Hugo Rifkind, writing in The Times, commented that while the series was informative, But he was a little confused.Curtis is trying to explain why we all feel trapped and helpless in the modern world, and why our political leaders seem to feel that way too," Rifkind wrote.Overall, his answer appears to be 'Because of everything', which personally I feel the answer is a bit too big to be all useful.